This was a really fun MOE to work on, even if it didn't ultimately get chosen. I modeled this set from a scene in the show. It was tricky to work out scale and how everything fit together, but ultimately I thiiiiink I came pretty close to their set and how all the wheels, belts, and counterweights moved. It's essentially functional, minus the oil.

This is an upres of the renders, since I never reached the final 3D render phase. So it's a little softer than it would have eventually been.

Client: HBO

Studio: Shine

Creative Director - Michael Riley

Executive Producer - Bob Swenson

Lead Animator - Penelope Nederlander

Software:

Cinema 4D

Redshift

After Effects